三毛流浪記英語？1dJrh4BxgI-aSMx3N07pL4A?pwd=cxsi 三毛自幼失去了父母成為了無家可歸的流浪兒，他日日風餐露宿孤苦伶仃，靠著撿煙頭的零星收入維持生計。某日，三毛遇見了善良的面粉大王吳子福，那么，三毛流浪記英語？一起來了解一下吧。
Three generations of Chinese children have grown up reading about the adventures of the country's most popular comic book hero. Michelle Zhang with the Shanghai Daily looks back over the life of Sanmao on the 70th anniversary of his "birth" today.
Just like Tintin with young Western fans of comic strip heroes, Sanmao -- a happy-go-lucky resourceful boy with only three locks of hair -- has been entertaining youthful Chinese readers from the day he was "born" 70 years ago today.
"Sanmao is perhaps the oldest Chinese cartoon character still alive today," says Zhang Rongrong, son of the famous late painter Zhang Leping (1910-92) who created Sanmao. "Many of Sanmao's contemporaries, such as 'Mr Wang' and 'Miss Bee,' are no longer remembered by people. However, Sanmao still remains many people's favorite."
Sanmao, which means "three locks of hair" in Chinese, is traditionally a popular nickname for children, especially around the Yangtze Delta. His cartoon image is known to all Chinese both home and abroad. Sanmao is a resilient, innocent boy who always insists on having a child's perspective when dealing with the adult world.
According to Zhang Rongrong, more than 10 million copies of different editions on Sanmao have been printed since the first edition was released in Shanghai. The young boy's adventures have also been adapted into various movies, TV series and dramas.
"It is not an exaggeration to say that three generations of Chinese -- from the elderly to children in kindergartens -- have grown up with Sanmao," he says.
The cartoon strips have also been translated into many foreign languages and introduced to other regions and countries. The boy's bittersweet stories have moved thousands of readers around the world. Renowned late Taiwanese writer Chen Ping (1943-91) even chose "San Mao" as her pen name out of her deep fondness and sympathy for the lonely, homeless boy.
Today, the whole nation is celebrating Sanmao's 70th birthday and in his birth place of Shanghai, a launching ceremony for two books on Sanmao and his "father" Zhang Leping will be held today at the Shanghai Library.
Earlier this month, a newly adapted multimedia children's drama Sanmao Joins the Army was staged in Beijing and attracted audiences of thousands of young people. Meanwhile, a 104-episode cartoon sitcom about Sanmao is now being made by China Central Television, together with an online game designed by a Chengdu-based company. In the game, a modern version of Sanmao will guide players in an exploration of the planets of the solar system.
"If my father were still alive, he would be very glad to see the children of today enjoying a peaceful and happy childhood through Sanmao's stories," Zhang says.
Perhaps one of the main reasons for Sanmao being so widely loved is that he never fails to keep up with the times.
Sanmao's life can be divided into four periods -- from his early childhood to being "the orphan in the army" before becoming "an orphan on the streets" until he finally finds a new happy life.
The 1930s, or the early period of Sanmao's life, is considered to be a period of great advancement in the development of China's modern cartoon industry. In Shanghai alone back then, there were more than 20 cartoon magazines and cartoon comics could be found in most of the newspapers. In 1936, the first nationwide exhibition on cartoon works was organized and an association bringing together all the best-known cartoonists was formed, marking 1936 "The Year of Cartoon."
"However, almost all the cartoon images created by Chinese artists at that time were of adults instead of children, " Zhang recalls. "The emergence of Sanmao filled a blank space -- young readers had finally found their own equivalent of Mickey Mouse or Popeye."
Sanmao's "father" Zhang Leping also broke a rule by not adding words to his comic strips at a time when cartoon works had dialogue.
"Sanmao was created for all the people, including the poor and the illiterate," explains the junior Zhang. "Every time when my father finished a cartoon, he always showed it to us first to see whether we could understand -- if we couldn't, he would restart."
In two years from 1935 to 1937, Zhang Leping had created more than 200 works about Sanmao who was just like any naughty boys in the neighborhood. However, China's War of Resistance against Japanese Aggression (1937-45) broke out and forced the cartoonist to stop working on Sanmao for almost 10 years.
He resumed his work in 1946 and decided to draw images reflecting his thoughts and experiences of the war years. Sanmao Joins the Army published at local newspaper became a smash hit because of its vivid portrayal of what life was like. Using Sanmao's resilient innocence, the author dramatized the confusion brought about by the war and expressed his concern for its young victims.
After the war ended, the lost boy came back to Shanghai, then an economically depressed industrial city, and continued his "new" roaming life on the streets. This led to the stories for Sanmao's Orphan Tramp, the best-known and most successful of the Sanmao series.
Featuring a total of 261 cartoon strips, the Sanmao series tells of the miserable life led by the homeless boy. Through Sanmao's eyes, people see the joys and hardships of life in old Shanghai.
"My father created the orphan Sanmao in tears especially when he saw the young orphans frozen to death on the streets," Zhang recalls. "With his pen, he wanted to help those real life Sanmaos.
"Many of the incidents that happened to Sanmao were actually my father's own personal experiences," he says. "For example, through Sanmao, he told about the experience of being an apprentice when he was a little child."
As soon as the cartoon serial appeared in the paper, it evoked such reverberations that Zhang Leping often received letters, money, or even packages of clothes from the readers who asked him to give them to Sanmao.
In 1948, Kunlun Film Studio firstly brought the stories onto the silver screen. The movie An Orphan on the Streets is considered as one of the best Chinese children's movies even till today and has won major awards at some foreign film festivals.
Sanmao's stories entered a new stage after the Liberation in 1949. The great changes of the country have provided Zhang Leping with infinite inspirations. In the following years, he had created various significant Sanmao works in succession, such as Sanmao Greets Liberation, Sanmao's Past and Present, Sanmao Loves Sports and Sanmao Loves Science.
The master cartoonist had never stopped drawing Sanmao until his last days. After he passed away, his family set up a company to collect his previous works as well as to popularize the image of Sanmao all over the world.
"For many people, Sanmao is still the poor orphan wandering on the streets, whose image reminds them of the tribulations of the old society," Zhang Rongrong says. "Although always staying the same small physical size, Sanmao is growing up with the times. He is no longer a hungry, homeless boy but a healthy, smart student in the 21st century.
"Sanmao has similar dreams to those of today's children. For example, he is looking forward to exploring outer space so we helped him realize the dream in a play," he smiles. "There are many, many more plans for Sanmao --people will have to wait and see."
你可以找到中文的介紹，然后到google用它來翻譯一下就ok，就是有些會翻譯得不倫不累，你要重組一下句子，但是單詞肯定沒有問題！
三毛原名陳懋平，英文名echo是來源于希臘神話中的Echo女神，至于筆名三毛的來歷，三歲時的三毛即自作主張把本名中之“懋”字略去，給自己取名“陳平”，年歲稍長則取“Echo”、“三毛”為筆名，還翻出《易經》一書解釋“三毛”之來歷。童年時她喜讀書，而性格也怪癖，異于常人。
三毛（1943年3月26日－1991年1月4日），女，原名陳懋（mào）平（后改名為陳平），浙江定海（今舟山市定海區）人。1943年出生于重慶黃角椏。中國現代作家。
擴展資料
1964年，得到文化大學創辦人張其昀先生的特許，到該校哲學系當旁聽生，課業成績優異。
1967年再次休學，只身遠赴西班牙。在三年之間，前后就讀西班牙馬德里大學、德國哥德書院，在美國伊諾大學法學圖書館工作。對她的人生經驗和語文進修上有很大助益。
1970年回國，受張其昀之邀聘在文大德文系、哲學系任教。因未婚夫猝逝，再到西班牙。與分開6年的荷西重逢。
1973年，于西屬撒哈拉沙漠的當地法院，與荷西公證結婚。沙漠時期的生活激發了她潛藏的寫作才華，并受當時《聯合報》主編的鼓勵，作品源源不斷，并開始結集出書。
1976年5月，出版第一部作品《撒哈拉的故事》。
三毛
[名字的來歷]
1943三月二十六日出生于重慶， 浙江省定海縣人，本名陳懋平，“懋”是家譜上屬于她那一代的排行，“平”是因為在 她出生那年烽火連天，做為父親的我期望這個世界再也沒有戰爭，而給了這個孩子“和平” 的大使命。后來這個孩子開始學寫字，她無論如何都學不會如何寫那個“懋”字。每次寫名字時，都自作主張把中間那個字跳掉，偏叫自己陳平。不但如此，還把“陳”的左耳搬到隔壁去成為右耳，這么弄下來，父親只好投降，她給自己取了名字，當時才三歲。后來把她弟弟們的“懋”字也都拿掉了。
中國文化大學哲學系。肄業曾留學歐洲，婚后定居西屬撒哈拉沙漠加納利島，并以當地的生活為背景，寫出一連串膾炙人口的作品。一九八一年回臺后，曾在文化大學任教，一九八四年辭去教職，而以寫作、演講為重心。一九九一年一月四日去世，享年四十八歲。
她的足跡遍及世界各地，她的作品也在全球的華人社會廣為流傳，在大陸也有廣大的讀者，生平著作和譯作十分豐富。共有二十四種。
三毛英文名叫ECHO，三毛本是筆名，從三毛的《鬧學記》序中只提及“三毛”二字中暗藏一個易經的卦。但又是什么玄機，就不得而知了。但三毛本人又曾說過：起初起此名，是因為喜歡張樂平先生的三毛流浪記（后拜為干爹）；另有一個原因就是說自己寫的東西很一般，只值三毛錢。
1dJrh4BxgI-aSMx3N07pL4A?pwd=cxsi
三毛自幼失去了父母成為了無家可歸的流浪兒，他日日風餐露宿孤苦伶仃，靠著撿煙頭的零星收入維持生計。某日，三毛遇見了善良的面粉大王吳子福，吳子福慷慨的資助了三毛，使三毛的日子稍微好過了起來。然而，這種狀況沒有維持多久，吳子福便跳樓身亡。
以上就是三毛流浪記英語的全部內容，三毛（1943年3月26日－1991年1月4日），女，原名陳懋（mào）平（后改名為陳平），浙江定海（今舟山市定海區）人。1943年出生于重慶黃角椏。中國現代作家。
